2004
Heep Club at Bush Hall by Jerry Bloom
Having
been given the job of organising this years Heep Club, I thought I'd jot down a
few lines from my perspective: Firstly, when on the second day, Louis Rentrop
announced that I was not a Heep fan but a Rainbow fan and after the performance
the night before, now a Ken Hensley fan, I thought it was only right that I
should comment on that. My
band had always been Deep Purple, and because of Ritchie Blackmore, Rainbow as
well. Somehow for many years Heep was one of those bands that had bypassed me.
Sure, I had a couple of albums and heard a few others over the years but
never delved too far beyond that. That
said, I'm well aware that Heep has always been associated in the same genre as
the likes of Deep Purple, and one thing is for certain: Both bands have had many
ups and downs and line-up changes that have divided fan loyalties. During
the weekend of the Heep Club, I saw so many of the same situations that I have
seen with Purple fans over the years.
The
appearance of Ken Hensley on the Friday night was a classic case in point. I
guess just like Blackmore's departure from Purple ten years ago, Hensley's
departure from Heep surely divided the fan base to some degree. At least with
this band I could look at things more objectively. An outsider looking in and
observing for a change, without being wrapped up in the passion of it all. I
had been told beforehand that Ken Hensley could be a difficult and exacting guy
to work with: Blackmore has the same reputation. Is it coincidence they were
both the major songwriters in their bands? Although
the afternoon session on the Friday ran smoothly I was a little apprehensive
about working with Ken although through the email correspondence we had,
he seemed okay. No ridiculous demands, so everything was looking good. We
spoke on the phone on the Friday afternoon and knowing that things never
run to schedule I had allowed a little extra time for the soundcheck just
in case! As it turned out Ken had some slight delays with the London traffic but
only arrived a few minutes later than planned. I
kind of feared the worst, and imagined as soon as he got there he might want the
stage re-arranged, and numerous other things. I couldn't have been more wrong,
he instantly struck me as very amicable, and when I asked him if the stage set
up was to his liking he replied, "Just do it how you want." Just to
keep in his good books, I asked if he had a preference for the seating
arrangements and again he was happy to go along with whatever I wanted to
do! Ken
put on a very intimate performance and I know it was well received by the
die-hard Heep fans that were there. The question and answer session was surely
going to throw up a few passionate and difficult subjects but I thought
that Ken dealt with all this very well. Listening to the fans afterwards some of
them felt he had been very diplomatic on his view of the current Heep by
not really answering the guy's question. I firmly believe that by telling
the guy he was not in a position to give an objective answer was indeed very
honest. It would be the same for anyone else if a job you had left many years
ago was now done by others and you were asked to comment on it. Anyway,
I can only reiterate that you can only judge people by the way you find them and
for me Ken was as nice a guy as any I have met in the business and I wouldn't
hesitate to work with him again. Still
for those fans on the other side of the Heep fence, there was the Saturday to
look forward to: The current band around the corner at the Empire, but before
that an afternoon of more fun at the Bush Hall with the Heep Club. The acoustic
set that the German tribute band Circle Of Hands put on was perfect for
that moment in the day and I was very impressed with them. The crowd responded
extremely well, especially when they played 'Lady In Black.' they were all
clearly very accomplished musicians, but no more so than vocalist Torsten who
really impressed me. If Heep ever change vocalist again, they could do a lot
worse than get Torsten in the band. In fact I think he could easily hold his own
in many a top rock act.
The
other fun part of the Saturday afternoon was the quiz, and even as a 'non-Heepster'
I got 15 of the questions right, but I don't think Louis believed me
somehow! Working
at the event for two days, before it started, I had a feeling two days of Heep
music and fans might have been too much for me, but as the afternoon session was
rolling on I was having such a good time that I was hoping it could have
continued longer. The
magic of such events is the bonding and friendship that the fans bring to
such a thing, and the Heep fans I met throughout the weekend were a truly
fantastic bunch and helped to make my job a highly pleasurable one. It was
really like one big happy family, and I've never experienced that before with
other groups fans to anywhere near the same extent. I
joined everyone at the Empire to see Heep in action but I had to leave long
before they finished to prepare back at Bush Hall for the aftershow party. The
number of people we had for this was far in excess of the numbers that had been
in attendance in the afternoon or on the Friday. Not least because the band
and their entourage turned up, and along with the music journalists etc must
have swelled the numbers by another 100 at least. Both the Hall owner and myself
looked on with slight apprehension when we realised at some point we would have
to try and get everyone out when it was due to close at 1.00! The fact that the
band was more than happy to stand around and chat with all and sundry only
helped to make our job trickier but it must have certainly topped off the
weekend for those fans. When
we finally left the Hall at 2.00 in the morning, tired and exhausted, there was
a great feeling that it had all been worth it. It really helped that some fans
came up to me and personally thanked me for my part in organising 'their'
weekend. I've no doubt that with fans like this they deserve nothing less. If
Classic Rock wants me to organise next years Heep Club, I'll jump at the
opportunity and will be determined to make it even better.
Finally
for the benefit of Louis, I should point out that all that Heep music over the
weekend has rubbed off on me in a way that Heep fans will be proud of. I
always had a couple of Heep albums in my collection but have recently started
purchasing some of that back catalogue and I'm listening to Salisbury as I
write this! Also invested in a couple of the Lawton era albums as I always
liked that period for some reason! A few more will be added to the collection
soon! In a way I feel guilty that I tended to overlook Heep all those years
ago. Perhaps it was because so many people compared them alongside Purple and
the other heavy bands of the day. I think it does a disservice to Heep. They
deserve to be given credit for being a band that has it's own style and
who have ploughed its own path. Sure the similarities keep cropping
up but for me they are not so much in the actual music. For instance, reading
the sleeve notes to Demons And Wizards and discovering Mark Clarke was
only in the band for three months: At the moment I am writing an article
on Rainbow, and about how Mark Clarke was only in the band for three
months! Rainbow Demon? And on that note it's time for me to sign off!
Jerry
Bloom
24th
November 2004
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